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Tulips & Radio History
… it’s nothing short of daft that a superabundance of radio-driven experiments in audio fiction and composed non-fiction is being disappeared in my own adopted country in a neo-liberal inspired narrowing of the ‘listener offer’
Tulips & Radio History
… it’s nothing short of daft that a superabundance of radio-driven experiments in audio fiction and composed non-fiction is being disappeared in my own adopted country in a neo-liberal inspired narrowing of the ‘listener offer’
Agile Critics
Key to making this new agile criticism work is not an understanding of the ‘art critic’ … but rather a sensibility for the always-changing and fluid nature of sound and sound art production itself. —Daniel Gilfillan A Medium of My
Agile Critics
Key to making this new agile criticism work is not an understanding of the ‘art critic’ … but rather a sensibility for the always-changing and fluid nature of sound and sound art production itself. —Daniel Gilfillan A Medium of My
Voyeurs
Think milk and murk and sink … / Study the blocks of its consonants, its secret cognates: flints, whose dark fricatives spark in the lyric ground … Emma Must Michael Trommer – Lake Sharks A short ‘story’ based on
Voyeurs
Think milk and murk and sink … / Study the blocks of its consonants, its secret cognates: flints, whose dark fricatives spark in the lyric ground … Emma Must Michael Trommer – Lake Sharks A short ‘story’ based on
Eavesdroppers
Whatever it is or isn’t or once might have been, the ether slants my mind in the direction of a certain rich hunger, a strange intimacy, a potent lack, a longing that never becomes belonging, a craning-towards that is never,
Eavesdroppers
Whatever it is or isn’t or once might have been, the ether slants my mind in the direction of a certain rich hunger, a strange intimacy, a potent lack, a longing that never becomes belonging, a craning-towards that is never,
And she was so …
Joan: I get all kinds of suggestions for what else to do with my sound-only work, which is kind of intriguing (like the sound isn’t enough somehow). For example, Plausible Narration, was originally to be accompanied (or rather the sounds
And she was so …
Joan: I get all kinds of suggestions for what else to do with my sound-only work, which is kind of intriguing (like the sound isn’t enough somehow). For example, Plausible Narration, was originally to be accompanied (or rather the sounds
And she lived happily ever after.
Joan: Despite not wanting to direct a reader too overtly, is there is an ideal method for reading The LiteraryMix? For example, do you feel there’s a better/worse platform such as smart phone vs. tablet, laptop vs. desktop? Are you
And she lived happily ever after.
Joan: Despite not wanting to direct a reader too overtly, is there is an ideal method for reading The LiteraryMix? For example, do you feel there’s a better/worse platform such as smart phone vs. tablet, laptop vs. desktop? Are you
And then she tried …
Joan: So we’re back where we started with the generative engine. Do you know Daniela Cascella’s book, F.M.R.L.: Footnotes, Mirages, Refrains and Leftovers of Writing Sound? Seth: I’m very familiar with Cascella’s book and have heard her perform readings of
And then she tried …
Joan: So we’re back where we started with the generative engine. Do you know Daniela Cascella’s book, F.M.R.L.: Footnotes, Mirages, Refrains and Leftovers of Writing Sound? Seth: I’m very familiar with Cascella’s book and have heard her perform readings of
But one day, she couldn’t seem to …
Joan: What are your thoughts on the text as body (body of work, muscularity of the text, sound-making as a physical experience, breath)? How might these themes connect to Bergvall’s work? Seth: Part of what intrigued me about your making
But one day, she couldn’t seem to …
Joan: What are your thoughts on the text as body (body of work, muscularity of the text, sound-making as a physical experience, breath)? How might these themes connect to Bergvall’s work? Seth: Part of what intrigued me about your making
In a very, very far away … there lived a little …
Joan: I’ve just gotten the newest ‘book’ by Anne Carson, appropriately called Float. Actually it’s a collection of 23 chapbooks whose order is unfixed. The back ‘cover’ of this acetate container suggests ‘reading can be free-fall.’ Similarly, in my sound
In a very, very far away … there lived a little …
Joan: I’ve just gotten the newest ‘book’ by Anne Carson, appropriately called Float. Actually it’s a collection of 23 chapbooks whose order is unfixed. The back ‘cover’ of this acetate container suggests ‘reading can be free-fall.’ Similarly, in my sound
Once upon a time …
The LiteraryMix isn’t Seth Guy’s first attempt at coalescing sonorous text into an ephemeral engine. In 2010, he launched Observing Silence, a blog he created to archive quoted instances of silence he’s stumbled upon in his fiction reading. OS is
Once upon a time …
The LiteraryMix isn’t Seth Guy’s first attempt at coalescing sonorous text into an ephemeral engine. In 2010, he launched Observing Silence, a blog he created to archive quoted instances of silence he’s stumbled upon in his fiction reading. OS is