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“Song is not a sharp weapon”
Aristotle tells us that the high-pitched voice of a woman is evidence of her evil disposition. Gelsey Bell’s improvising American national anthem winds a voice like a gnarly, worm-infested organ in a collaboration with radio artist Gregory Whitehead. It’s
“Song is not a sharp weapon”
Aristotle tells us that the high-pitched voice of a woman is evidence of her evil disposition. Gelsey Bell’s improvising American national anthem winds a voice like a gnarly, worm-infested organ in a collaboration with radio artist Gregory Whitehead. It’s
Like a circuit.
We know that women historically have been feared for being seductive, hellish, deadly: witness Aphrodite, The Furies, Sirens. The Greek myth of Echo is heard as a lack of voice or agency. Adèle Olivia Gladwell banishes the assumptions of this
Like a circuit.
We know that women historically have been feared for being seductive, hellish, deadly: witness Aphrodite, The Furies, Sirens. The Greek myth of Echo is heard as a lack of voice or agency. Adèle Olivia Gladwell banishes the assumptions of this
Veils, Politics, Static
Where is the bracing, live-in-the-moment feeling that I may never hear again what I am hearing on the radio? —Chris DeLaurenti Veiled Intentions in Radio Barry Lam I have
Veils, Politics, Static
Where is the bracing, live-in-the-moment feeling that I may never hear again what I am hearing on the radio? —Chris DeLaurenti Veiled Intentions in Radio Barry Lam I have
Tulips & Radio History
… it’s nothing short of daft that a superabundance of radio-driven experiments in audio fiction and composed non-fiction is being disappeared in my own adopted country in a neo-liberal inspired narrowing of the ‘listener offer’
Tulips & Radio History
… it’s nothing short of daft that a superabundance of radio-driven experiments in audio fiction and composed non-fiction is being disappeared in my own adopted country in a neo-liberal inspired narrowing of the ‘listener offer’
Agile Critics
Key to making this new agile criticism work is not an understanding of the ‘art critic’ … but rather a sensibility for the always-changing and fluid nature of sound and sound art production itself. —Daniel Gilfillan A Medium of My
Agile Critics
Key to making this new agile criticism work is not an understanding of the ‘art critic’ … but rather a sensibility for the always-changing and fluid nature of sound and sound art production itself. —Daniel Gilfillan A Medium of My
Voyeurs
Think milk and murk and sink … / Study the blocks of its consonants, its secret cognates: flints, whose dark fricatives spark in the lyric ground … Emma Must Michael Trommer – Lake Sharks A short ‘story’ based on
Voyeurs
Think milk and murk and sink … / Study the blocks of its consonants, its secret cognates: flints, whose dark fricatives spark in the lyric ground … Emma Must Michael Trommer – Lake Sharks A short ‘story’ based on
Eavesdroppers
Whatever it is or isn’t or once might have been, the ether slants my mind in the direction of a certain rich hunger, a strange intimacy, a potent lack, a longing that never becomes belonging, a craning-towards that is never,
Eavesdroppers
Whatever it is or isn’t or once might have been, the ether slants my mind in the direction of a certain rich hunger, a strange intimacy, a potent lack, a longing that never becomes belonging, a craning-towards that is never,
And she was so …
Joan: I get all kinds of suggestions for what else to do with my sound-only work, which is kind of intriguing (like the sound isn’t enough somehow). For example, Plausible Narration, was originally to be accompanied (or rather the sounds
And she was so …
Joan: I get all kinds of suggestions for what else to do with my sound-only work, which is kind of intriguing (like the sound isn’t enough somehow). For example, Plausible Narration, was originally to be accompanied (or rather the sounds
And she lived happily ever after.
Joan: Despite not wanting to direct a reader too overtly, is there is an ideal method for reading The LiteraryMix? For example, do you feel there’s a better/worse platform such as smart phone vs. tablet, laptop vs. desktop? Are you
And she lived happily ever after.
Joan: Despite not wanting to direct a reader too overtly, is there is an ideal method for reading The LiteraryMix? For example, do you feel there’s a better/worse platform such as smart phone vs. tablet, laptop vs. desktop? Are you
And then she tried …
Joan: So we’re back where we started with the generative engine. Do you know Daniela Cascella’s book, F.M.R.L.: Footnotes, Mirages, Refrains and Leftovers of Writing Sound? Seth: I’m very familiar with Cascella’s book and have heard her perform readings of
And then she tried …
Joan: So we’re back where we started with the generative engine. Do you know Daniela Cascella’s book, F.M.R.L.: Footnotes, Mirages, Refrains and Leftovers of Writing Sound? Seth: I’m very familiar with Cascella’s book and have heard her perform readings of