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Radio Revolten: Meta-criticism
“This sense of different things joining temporarily for that moment feels symbolic and significant—a kind of radio alchemy, a spell for a less-divided world.” A conversation with the organizers of the month-long radio art festival, Radio Revolten.
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Radio Revolten: Meta-criticism
“This sense of different things joining temporarily for that moment feels symbolic and significant—a kind of radio alchemy, a spell for a less-divided world.” A conversation with the organizers of the month-long radio art festival, Radio Revolten.
READ MORE
Radio Revolten: Re-inventing Halle
October in Halle, Germany. 2016. It’s a rainy evening. Two abandoned houses in the city center of Halle stand dark. Festival visitors were waiting for doors to open to these dormant spaces. Instead, six windows opened across the facade. A
Radio Revolten: Re-inventing Halle
October in Halle, Germany. 2016. It’s a rainy evening. Two abandoned houses in the city center of Halle stand dark. Festival visitors were waiting for doors to open to these dormant spaces. Instead, six windows opened across the facade. A
Radio Oracle
Continuing the festival’s ethos, Radio Revolten—the book—has also been organized and written collectively by its organizers and its observers. Gabi Schaffner’s Radio Revolten Diary was a live-stream blog during the festival and peppers the book’s pages, offering a different kind
Radio Oracle
Continuing the festival’s ethos, Radio Revolten—the book—has also been organized and written collectively by its organizers and its observers. Gabi Schaffner’s Radio Revolten Diary was a live-stream blog during the festival and peppers the book’s pages, offering a different kind
Vanishing
Brian Price + Eleanor Price – Adaptation It is time to take the coming changes personally. Written and produced by Brian Price (Great Northern Audio Theatre, Indiana). Alto flute performed by Eleanor Price, who studies music, writing and is a
Vanishing
Brian Price + Eleanor Price – Adaptation It is time to take the coming changes personally. Written and produced by Brian Price (Great Northern Audio Theatre, Indiana). Alto flute performed by Eleanor Price, who studies music, writing and is a
Evanesce
Lou Barnell – Manapouri Ghostbirds A close relative retreated to New Zealand a decade ago. The pace of life is slower, and nature is everywhere. On our last visit, we camped on lake Manapouri in fjordland in the South Island.
Evanesce
Lou Barnell – Manapouri Ghostbirds A close relative retreated to New Zealand a decade ago. The pace of life is slower, and nature is everywhere. On our last visit, we camped on lake Manapouri in fjordland in the South Island.
Interference
Adern X – Behind the (h)ear There are roughly two situations in which someone can hear another: in a silent place and in a noisy one. In the first case, it’s fairly easy to hear what is said, while in
Interference
Adern X – Behind the (h)ear There are roughly two situations in which someone can hear another: in a silent place and in a noisy one. In the first case, it’s fairly easy to hear what is said, while in
Static Spirit: Mollye Bendell
“Focusing on the physicality of those electronics became fascinating as opposed to a means-to-an-end. After I had built a few, I just started wondering how I could screw them up.”
Static Spirit: Mollye Bendell
“Focusing on the physicality of those electronics became fascinating as opposed to a means-to-an-end. After I had built a few, I just started wondering how I could screw them up.”
Skin + Vinyl: Sherre DeLys
To meditate on archival recordings—divided in time by roughly 25-year spans—appeals on a number of levels. You imagine the sounds of one era crashing into another and again into another: the ’20s Zulus Ball, the ’40s Australian radio interview with
Skin + Vinyl: Sherre DeLys
To meditate on archival recordings—divided in time by roughly 25-year spans—appeals on a number of levels. You imagine the sounds of one era crashing into another and again into another: the ’20s Zulus Ball, the ’40s Australian radio interview with
Requiem for Radio: Amanda Dawn Christie
“Listen here,” the artist seems to beg of our curiosity via shortwave signals, drone tones, theremin twangs, even cow bones morphed into lo-fi transmitting loop antennas on a newly made cello. Read More…
Requiem for Radio: Amanda Dawn Christie
“Listen here,” the artist seems to beg of our curiosity via shortwave signals, drone tones, theremin twangs, even cow bones morphed into lo-fi transmitting loop antennas on a newly made cello. Read More…
The Clouds Should Know Me By Now
Myke Dodge Weiskopf listens wherever there’s a signal. Explore his process around field recording, sound archaeology and his myriad shortwave expeditions.
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The Clouds Should Know Me By Now
Myke Dodge Weiskopf listens wherever there’s a signal. Explore his process around field recording, sound archaeology and his myriad shortwave expeditions.
Read More…