Listening Vault

Exhibits, current and earlier, are archived here.

Story Is … The Juicy Part

Jess Shane scrutinizes narrative structure as it spirals around divulged stories of trauma. Curator Joan Schuman suggests it is a constructed mirroring of our own complicity in the ‘nowhere’ of our commodified scattering and posting across social media.
FEBRUARY 2024.

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Story Is … The Juicy Part

Jess Shane scrutinizes narrative structure as it spirals around divulged stories of trauma. Curator Joan Schuman suggests it is a constructed mirroring of our own complicity in the ‘nowhere’ of our commodified scattering and posting across social media.
FEBRUARY 2024.

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Story Is …

Four curators arrive by happenstance for a collaborative series. Each offers one artist who questions how narrative is spoken and heard, structured out of the gems and ruins of old stories. The exhibits unfold at the beginning of the month and then give way to the next.
[READ SERIES INTRODUCTION]

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Story Is …

Four curators arrive by happenstance for a collaborative series. Each offers one artist who questions how narrative is spoken and heard, structured out of the gems and ruins of old stories. The exhibits unfold at the beginning of the month and then give way to the next.
[READ SERIES INTRODUCTION]

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Story Is … Loops of Retreat

“Blackness, disfluency and music are forces that open time.” Curator Caroline Preziosi suggests of JJJJJerome Ellis’s work that fluency assumes and enforces a standard. When you tie all the loose ends, you lose the opportunity to weave them in.
JANUARY 2024.

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Story Is … Loops of Retreat

“Blackness, disfluency and music are forces that open time.” Curator Caroline Preziosi suggests of JJJJJerome Ellis’s work that fluency assumes and enforces a standard. When you tie all the loose ends, you lose the opportunity to weave them in.
JANUARY 2024.

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Story Is … Pink Noise

The intimacy of whispers highlights the experience of processing languages, especially in frail states of receiving healthcare as an immigrant says curator Merve Ünsal of Banu Çiçek Tülü’s sonic artistry. These spectral whispers add to a sense of navigating multiple boundaries and translations.
DECEMBER 2023

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Story Is … Pink Noise

The intimacy of whispers highlights the experience of processing languages, especially in frail states of receiving healthcare as an immigrant says curator Merve Ünsal of Banu Çiçek Tülü’s sonic artistry. These spectral whispers add to a sense of navigating multiple boundaries and translations.
DECEMBER 2023

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Memory Hole

Three sonic approaches weigh the heft of correcting the archives. They cast the granular scope of race and gender; the politics of radio art collections; the irony of sampling the sample, and in each, there is a reshaping. Featuring Ariana Martinez, Ricardo iamuuri Robinson & Karen Werner.

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Memory Hole

Three sonic approaches weigh the heft of correcting the archives. They cast the granular scope of race and gender; the politics of radio art collections; the irony of sampling the sample, and in each, there is a reshaping. Featuring Ariana Martinez, Ricardo iamuuri Robinson & Karen Werner.

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What is not a map?

We have tried to pin down the unmappable, like a virus or a cure or a border. A signal is spotted. Gap-maps are traversed between media. Ten sonic projects consider the dissipation for Earlid’s annual Liminal Sounds.

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What is not a map?

We have tried to pin down the unmappable, like a virus or a cure or a border. A signal is spotted. Gap-maps are traversed between media. Ten sonic projects consider the dissipation for Earlid’s annual Liminal Sounds.

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Monsters & Ghosts

Six sonic entanglements attune to uncertainties in a collapsing world. We need to hear these voices—real and imagined and aestheticized—to mirror our potential energies for changing a devastating future squarely in our midst. LISTEN + READ.

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Monsters & Ghosts

Six sonic entanglements attune to uncertainties in a collapsing world. We need to hear these voices—real and imagined and aestheticized—to mirror our potential energies for changing a devastating future squarely in our midst. LISTEN + READ.

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hubris ~ humility

We think we’ve adapted to one failed imperial adventure, one endless war, one psyche-depleting degradation after another. Three sound artists harrow into the gut of hubristic acts and their potential for humility. Featuring the work of Meira Asher, Evangeline Riddiford Graham and Myra Al-Rahim. LISTEN + READ.

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hubris ~ humility

We think we’ve adapted to one failed imperial adventure, one endless war, one psyche-depleting degradation after another. Three sound artists harrow into the gut of hubristic acts and their potential for humility. Featuring the work of Meira Asher, Evangeline Riddiford Graham and Myra Al-Rahim. LISTEN + READ.

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The Dream Had Me

The underworld whispers. Peer through the peephole. We are lured into lucid states, through engagements with others, along the sounded gaps of memory. Twelve short works in Earlid’s annual Liminal Sounds. LISTEN…

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The Dream Had Me

The underworld whispers. Peer through the peephole. We are lured into lucid states, through engagements with others, along the sounded gaps of memory. Twelve short works in Earlid’s annual Liminal Sounds. LISTEN…

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Radio|Active

“Radioart cannot remain in the field of aesthetics any more. It has to be involved in ecology, micro-politics, and the philosophy of technology, too.” A new book mirrors the bustling, buzzing, radio-centric activities at Radio Revolten. It’s as if you were there with your ringing ears and your resonating body. READ + LISTEN…

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Radio|Active

“Radioart cannot remain in the field of aesthetics any more. It has to be involved in ecology, micro-politics, and the philosophy of technology, too.” A new book mirrors the bustling, buzzing, radio-centric activities at Radio Revolten. It’s as if you were there with your ringing ears and your resonating body. READ + LISTEN…

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