Author Archives: Joan Schuman
Languido
A half-dozen poets-sound-makers-performers-vocalizers comprise The Electroacoustical Poetical Society. Our ears collectively tune to one word. Loosen your listening like a knot. Unfurl it and hear the layered sonic skin, the repetitions, the uncanny synergies.
Languido
A half-dozen poets-sound-makers-performers-vocalizers comprise The Electroacoustical Poetical Society. Our ears collectively tune to one word. Loosen your listening like a knot. Unfurl it and hear the layered sonic skin, the repetitions, the uncanny synergies.
The Portrait Painter’s Youngest Daughter
by Brian Price, March 2026 … she lounges, she’s languid, she’s unreachable: the ideal woman … Sound is conversation. And conversation is theater and satire and dialogue. Talking. That’s how I came to this group—mostly talking. I’ve often added musical scores and
The Portrait Painter’s Youngest Daughter
by Brian Price, March 2026 … she lounges, she’s languid, she’s unreachable: the ideal woman … Sound is conversation. And conversation is theater and satire and dialogue. Talking. That’s how I came to this group—mostly talking. I’ve often added musical scores and
In the Midst of Deepest Night
by Gregory Whitehead, March 2026 … the tumor broke open; now the end is at hand … if at the start, there were still enough forces … in the midst of deepest night … What reverberates for me within EAPS:
In the Midst of Deepest Night
by Gregory Whitehead, March 2026 … the tumor broke open; now the end is at hand … if at the start, there were still enough forces … in the midst of deepest night … What reverberates for me within EAPS:
On the dead bones
by Joan Schuman, March 2026 … the currency of inferno continues … everything burns … the currency of inferno … continues … When Marjorie Van Halteren invited me to join EAPS, the works already broadcast were quirky: only a slight
On the dead bones
by Joan Schuman, March 2026 … the currency of inferno continues … everything burns … the currency of inferno … continues … When Marjorie Van Halteren invited me to join EAPS, the works already broadcast were quirky: only a slight
Languido, Languida
by Ilaria Boffa, March, 2026 Have you ever walked on a riverbank on a spring morning and been fully sound-showered by the symphony of our other-than-human fellows singing together? Your local birds flying from tree to tree and diving to
Languido, Languida
by Ilaria Boffa, March, 2026 Have you ever walked on a riverbank on a spring morning and been fully sound-showered by the symphony of our other-than-human fellows singing together? Your local birds flying from tree to tree and diving to
Flotsam, Jetsam
by Marjorie Van Halteren, March 2026 … don’t cling to me … embrace the unknowing … I’m trying to remember how EAPS started. It’s only been a few years. We ended up with the current six of us. I trust
Flotsam, Jetsam
by Marjorie Van Halteren, March 2026 … don’t cling to me … embrace the unknowing … I’m trying to remember how EAPS started. It’s only been a few years. We ended up with the current six of us. I trust
Damn Broke
by Tony Brewer, March, 2026 Back where the river flowed … back where the river flowed … back where the river flowed … Usually with EAPS the writing comes slowly, brand new with the theme word as a guiding inspiration.
Damn Broke
by Tony Brewer, March, 2026 Back where the river flowed … back where the river flowed … back where the river flowed … Usually with EAPS the writing comes slowly, brand new with the theme word as a guiding inspiration.
Story Is …
Four curators arrive by happenstance for a collaborative series. Each offers one artist who questions how narrative is spoken and heard, structured out of the gems and ruins of old stories. The exhibits unfold at the beginning of the month and then give way to the next.
[READ SERIES INTRODUCTION]
Story Is …
Four curators arrive by happenstance for a collaborative series. Each offers one artist who questions how narrative is spoken and heard, structured out of the gems and ruins of old stories. The exhibits unfold at the beginning of the month and then give way to the next.
[READ SERIES INTRODUCTION]
Story Is … Crypto Acoustic
The artistry can fool completely says curator Marjorie Van Halteren of Andy Slater’s Crypto Acoustic Auditory Non-Hallucination and its accompanying ephemera studying a type of visual hallucination experienced by people with vision loss. Slater says it’s about access to technology in an uncertain world, in a blind future.
March 2024.
Story Is … Crypto Acoustic
The artistry can fool completely says curator Marjorie Van Halteren of Andy Slater’s Crypto Acoustic Auditory Non-Hallucination and its accompanying ephemera studying a type of visual hallucination experienced by people with vision loss. Slater says it’s about access to technology in an uncertain world, in a blind future.
March 2024.
Story Is … The Juicy Part
Jess Shane scrutinizes narrative structure as it spirals around divulged stories of trauma. Curator Joan Schuman suggests it is a constructed mirroring of our own complicity in the ‘nowhere’ of our commodified scattering and posting across social media.
FEBRUARY 2024.
Story Is … The Juicy Part
Jess Shane scrutinizes narrative structure as it spirals around divulged stories of trauma. Curator Joan Schuman suggests it is a constructed mirroring of our own complicity in the ‘nowhere’ of our commodified scattering and posting across social media.
FEBRUARY 2024.