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Erase

To erase implies a misstep or mistake, but perhaps it’s more about being seen, rubbed raw, smoothed over.   Garrett Tiedemann – Under the Skin Erasure is violence. Ever, always, being justified: “The director said she made the changes so

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Erase

To erase implies a misstep or mistake, but perhaps it’s more about being seen, rubbed raw, smoothed over.   Garrett Tiedemann – Under the Skin Erasure is violence. Ever, always, being justified: “The director said she made the changes so

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Cradle

To cradle signals there’s one who holds and another who is held, skin to skin.   Jamie Flett + Jude (Judith) Williams – Let Me Hold [Skin To Skin] Underneath the ecstatic news of Peggy’s birth ran a murkier and

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Cradle

To cradle signals there’s one who holds and another who is held, skin to skin.   Jamie Flett + Jude (Judith) Williams – Let Me Hold [Skin To Skin] Underneath the ecstatic news of Peggy’s birth ran a murkier and

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She who Witnesses

Women are given to ‘uncontrolled’ outflow of sound, including shrieking, wailing, sobbing. Putting a door on the female mouth was a goal of patriarchal culture.   Men in powerful and political positions are openly voicing the misogyny they’ve long been

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She who Witnesses

Women are given to ‘uncontrolled’ outflow of sound, including shrieking, wailing, sobbing. Putting a door on the female mouth was a goal of patriarchal culture.   Men in powerful and political positions are openly voicing the misogyny they’ve long been

/ One Comment

Sky High Diamonds

Shrill lament, loud laughter, screams of pain or pleasure, eruptions of raw emotions. This monstrous vocalizing opposes Greek virtues of women’s voices.   Sarah Gatter’s voice wraps in swathes in a surging multi-layer contact with the listener. Don’t Fuck With

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Sky High Diamonds

Shrill lament, loud laughter, screams of pain or pleasure, eruptions of raw emotions. This monstrous vocalizing opposes Greek virtues of women’s voices.   Sarah Gatter’s voice wraps in swathes in a surging multi-layer contact with the listener. Don’t Fuck With

/ One Comment

“Song is not a sharp weapon”

Aristotle tells us that the high-pitched voice of a woman is evidence of her evil disposition.   Gelsey Bell’s improvising American national anthem winds a voice like a gnarly, worm-infested organ in a collaboration with radio artist Gregory Whitehead. It’s

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“Song is not a sharp weapon”

Aristotle tells us that the high-pitched voice of a woman is evidence of her evil disposition.   Gelsey Bell’s improvising American national anthem winds a voice like a gnarly, worm-infested organ in a collaboration with radio artist Gregory Whitehead. It’s

/ One Comment

Like a circuit.

We know that women historically have been feared for being seductive, hellish, deadly: witness Aphrodite, The Furies, Sirens.   The Greek myth of Echo is heard as a lack of voice or agency. Adèle Olivia Gladwell banishes the assumptions of

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Like a circuit.

We know that women historically have been feared for being seductive, hellish, deadly: witness Aphrodite, The Furies, Sirens.   The Greek myth of Echo is heard as a lack of voice or agency. Adèle Olivia Gladwell banishes the assumptions of

/ One Comment

Veils, Politics, Static

          Where is the bracing, live-in-the-moment feeling that I may never hear again what I am hearing on the radio?   —Chris DeLaurenti           Veiled Intentions in Radio Barry Lam I have

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Veils, Politics, Static

          Where is the bracing, live-in-the-moment feeling that I may never hear again what I am hearing on the radio?   —Chris DeLaurenti           Veiled Intentions in Radio Barry Lam I have

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Tulips & Radio History

          … it’s nothing short of daft that a superabundance of radio-driven experiments in audio fiction and composed non-fiction is being disappeared in my own adopted country in a neo-liberal inspired narrowing of the ‘listener offer’

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Tulips & Radio History

          … it’s nothing short of daft that a superabundance of radio-driven experiments in audio fiction and composed non-fiction is being disappeared in my own adopted country in a neo-liberal inspired narrowing of the ‘listener offer’

/ One Comment

Agile Critics

          Key to making this new agile criticism work is not an understanding of the ‘art critic’ … but rather a sensibility for the always-changing and fluid nature of sound and sound art production itself.  

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Agile Critics

          Key to making this new agile criticism work is not an understanding of the ‘art critic’ … but rather a sensibility for the always-changing and fluid nature of sound and sound art production itself.  

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Voyeurs

Think milk and murk and sink … / Study the blocks of its consonants, its secret cognates: flints, whose dark fricatives spark in the lyric ground … Emma Must   Michael Trommer – Lake Sharks A short ‘story’ based on

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Voyeurs

Think milk and murk and sink … / Study the blocks of its consonants, its secret cognates: flints, whose dark fricatives spark in the lyric ground … Emma Must   Michael Trommer – Lake Sharks A short ‘story’ based on

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