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Voyeurs

Think milk and murk and sink … / Study the blocks of its consonants, its secret cognates: flints, whose dark fricatives spark in the lyric ground … Emma Must   Michael Trommer – Lake Sharks A short ‘story’ based on

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Voyeurs

Think milk and murk and sink … / Study the blocks of its consonants, its secret cognates: flints, whose dark fricatives spark in the lyric ground … Emma Must   Michael Trommer – Lake Sharks A short ‘story’ based on

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Eavesdroppers

Whatever it is or isn’t or once might have been, the ether slants my mind in the direction of a certain rich hunger, a strange intimacy, a potent lack, a longing that never becomes belonging, a craning-towards that is never,

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Eavesdroppers

Whatever it is or isn’t or once might have been, the ether slants my mind in the direction of a certain rich hunger, a strange intimacy, a potent lack, a longing that never becomes belonging, a craning-towards that is never,

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And she was so …

Joan: I get all kinds of suggestions for what else to do with my sound-only work, which is kind of intriguing (like the sound isn’t enough somehow). For example, Plausible Narration, was originally to be accompanied (or rather the sounds

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And she was so …

Joan: I get all kinds of suggestions for what else to do with my sound-only work, which is kind of intriguing (like the sound isn’t enough somehow). For example, Plausible Narration, was originally to be accompanied (or rather the sounds

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And she lived happily ever after.

Joan: Despite not wanting to direct a reader too overtly, is there is an ideal method for reading The LiteraryMix? For example, do you feel there’s a better/worse platform such as smart phone vs. tablet, laptop vs. desktop? Are you

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And she lived happily ever after.

Joan: Despite not wanting to direct a reader too overtly, is there is an ideal method for reading The LiteraryMix? For example, do you feel there’s a better/worse platform such as smart phone vs. tablet, laptop vs. desktop? Are you

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And then she tried …

Joan: So we’re back where we started with the generative engine. Do you know Daniela Cascella’s book, F.M.R.L.: Footnotes, Mirages, Refrains and Leftovers of Writing Sound? Seth: I’m very familiar with Cascella’s book and have heard her perform readings of

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And then she tried …

Joan: So we’re back where we started with the generative engine. Do you know Daniela Cascella’s book, F.M.R.L.: Footnotes, Mirages, Refrains and Leftovers of Writing Sound? Seth: I’m very familiar with Cascella’s book and have heard her perform readings of

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But one day, she couldn’t seem to …

Joan: What are your thoughts on the text as body (body of work, muscularity of the text, sound-making as a physical experience, breath)? How might these themes connect to Bergvall’s work? Seth: Part of what intrigued me about your making

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But one day, she couldn’t seem to …

Joan: What are your thoughts on the text as body (body of work, muscularity of the text, sound-making as a physical experience, breath)? How might these themes connect to Bergvall’s work? Seth: Part of what intrigued me about your making

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In a very, very far away … there lived a little …

Joan: I’ve just gotten the newest ‘book’ by Anne Carson, appropriately called Float. Actually it’s a collection of 23 chapbooks whose order is unfixed. The back ‘cover’ of this acetate container suggests ‘reading can be free-fall.’ Similarly, in my sound

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In a very, very far away … there lived a little …

Joan: I’ve just gotten the newest ‘book’ by Anne Carson, appropriately called Float. Actually it’s a collection of 23 chapbooks whose order is unfixed. The back ‘cover’ of this acetate container suggests ‘reading can be free-fall.’ Similarly, in my sound

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Once upon a time …

The LiteraryMix isn’t Seth Guy’s first attempt at coalescing sonorous text into an ephemeral engine. In 2010, he launched Observing Silence, a blog he created to archive quoted instances of silence he’s stumbled upon in his fiction reading. OS is

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Once upon a time …

The LiteraryMix isn’t Seth Guy’s first attempt at coalescing sonorous text into an ephemeral engine. In 2010, he launched Observing Silence, a blog he created to archive quoted instances of silence he’s stumbled upon in his fiction reading. OS is

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Earworms + Radio Voices: In Conversation with Gregory Whitehead

The radio artist talks about his whispered libretto of a Guantánamo Bay torture interrogation log, the morphing of the Star-Spangled Banner and the sung interview of Dick Cheney. READ a conversation.

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Earworms + Radio Voices: In Conversation with Gregory Whitehead

The radio artist talks about his whispered libretto of a Guantánamo Bay torture interrogation log, the morphing of the Star-Spangled Banner and the sung interview of Dick Cheney. READ a conversation.

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Over Yonder Horror

A whispered libretto; the dark, inky sea; passage and stasis. Radio artists Gregory Whitehead and Scott Carrier plow the space between empathy and witnessing in new sonic worlds. LISTEN + READ.

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Over Yonder Horror

A whispered libretto; the dark, inky sea; passage and stasis. Radio artists Gregory Whitehead and Scott Carrier plow the space between empathy and witnessing in new sonic worlds. LISTEN + READ.

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