Listening Vault

Quarterly exhibits, year-by-year, are archived here.

“Listening is a sacrifice.” — Christopher DeLaurenti

It is a giving of mortality, says the composer of his protest symphony comprised of social media’s live, uploaded, ongoing, complicit memories of Ferguson. And had its premier on Australian radio.LISTEN/READ MORE.

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“Listening is a sacrifice.” — Christopher DeLaurenti

It is a giving of mortality, says the composer of his protest symphony comprised of social media’s live, uploaded, ongoing, complicit memories of Ferguson. And had its premier on Australian radio.LISTEN/READ MORE.

/ Comments Off on “Listening is a sacrifice.” — Christopher DeLaurenti

The words will be soaked in all the sounds she did not write.

Daniela Cascella invites us to listen. Her latest book yields sonic palimpsests that are written and muted and infiltrate perceptions and dissolve in them. LISTEN/READ MORE.

/ Comments Off on The words will be soaked in all the sounds she did not write.

The words will be soaked in all the sounds she did not write.

Daniela Cascella invites us to listen. Her latest book yields sonic palimpsests that are written and muted and infiltrate perceptions and dissolve in them. LISTEN/READ MORE.

/ Comments Off on The words will be soaked in all the sounds she did not write.

“We cannot truly see something until we allow it to disarrange us.”

Three sound artists encourage a deliberate turning towards the broken and wasted, to gaze at it. They focus our sights via the ears. The mind quiets and sees the ruined landscape, the potential for destruction. LISTEN/READ MORE of the artistic practice of Tessie Word, N.B. Aldrich and Louise K. Wilson.

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“We cannot truly see something until we allow it to disarrange us.”

Three sound artists encourage a deliberate turning towards the broken and wasted, to gaze at it. They focus our sights via the ears. The mind quiets and sees the ruined landscape, the potential for destruction. LISTEN/READ MORE of the artistic practice of Tessie Word, N.B. Aldrich and Louise K. Wilson.

/ 3 Comments

Sing … Singe

For the first Liminal Sounds, Earlid launched with an inquiry around two words: sing + singe. One word is resonant with joy or melancholy; the other, sinister, ashy. Sound artists responded with words, sounds and images to frame a virtual threshold. LISTEN/READ MORE .

/ One Comment

Sing … Singe

For the first Liminal Sounds, Earlid launched with an inquiry around two words: sing + singe. One word is resonant with joy or melancholy; the other, sinister, ashy. Sound artists responded with words, sounds and images to frame a virtual threshold. LISTEN/READ MORE .

/ One Comment