Liminal Sounds

Here’s a kind of wishful listening such that a loop of curator-practitioner evolves.
Annual open submissions are featured around a curator-devised theme.

Right-Ear Dominant

Third annual Liminal Sounds invites short works with a focus on the left side of the brain, speech, language and emotions leaking and leaning towards the right ear. Send your wordy, watery, audible gems by Friday, March 3, 2017. Keep it short, 2-4 minutes. MORE DETAILS.

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Right-Ear Dominant

Third annual Liminal Sounds invites short works with a focus on the left side of the brain, speech, language and emotions leaking and leaning towards the right ear. Send your wordy, watery, audible gems by Friday, March 3, 2017. Keep it short, 2-4 minutes. MORE DETAILS.

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The Intermediary

Noisy dreams, ghostly emissary, silent harbingers of the ungraspable. Ten artists consider Earlid’s second Liminal Sounds. Ten short works beckon with intimate gestures that audibly ponder what comes between. LISTEN.

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The Intermediary

Noisy dreams, ghostly emissary, silent harbingers of the ungraspable. Ten artists consider Earlid’s second Liminal Sounds. Ten short works beckon with intimate gestures that audibly ponder what comes between. LISTEN.

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Sing … Singe

For the first Liminal Sounds, Earlid launched with an inquiry around two words: sing + singe. One word is resonant with joy or melancholy; the other, sinister, ashy. Sound artists responded with words, sounds and images to frame a virtual threshold. LISTEN/READ MORE .

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Sing … Singe

For the first Liminal Sounds, Earlid launched with an inquiry around two words: sing + singe. One word is resonant with joy or melancholy; the other, sinister, ashy. Sound artists responded with words, sounds and images to frame a virtual threshold. LISTEN/READ MORE .

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