Author Archives: Joan Schuman
Circuit
Leaf Catching ~ Magnus Genioso Close the eyes, listen to Magnus Genioso’s river walk. Sound shapes our sense of place, he says, defines our environment. Through the independent podcast, Where@bouts, his collaborative cohorts remix sounds to further emplace,
Circuit
Leaf Catching ~ Magnus Genioso Close the eyes, listen to Magnus Genioso’s river walk. Sound shapes our sense of place, he says, defines our environment. Through the independent podcast, Where@bouts, his collaborative cohorts remix sounds to further emplace,
Transmission
Sounds, imagined and voiced, construct a blended conversation in six parts between three podcasters upending generic storytelling genres:
Lily Sloane
Garrett Tiedemann
Nick van der Kolk
Transmission
Sounds, imagined and voiced, construct a blended conversation in six parts between three podcasters upending generic storytelling genres:
Lily Sloane
Garrett Tiedemann
Nick van der Kolk
Signal
Lost Among the Penny Dreadfuls ~ Marjorie Van Halteren Imagine sitting with Marjorie’s old cat, as she surmises the instance of listening and making radio; of making, now, a podcast that meanders through sound artistry—often a duet with herself and
Signal
Lost Among the Penny Dreadfuls ~ Marjorie Van Halteren Imagine sitting with Marjorie’s old cat, as she surmises the instance of listening and making radio; of making, now, a podcast that meanders through sound artistry—often a duet with herself and
Radio without scaffolding
“Podcasting is built out of a referent, it’s constantly trying to justify its existence by other means, rather than simply being.”
—Garrett Tiedemann, The White Whale
Eight practitioners have been bending noises since the very birth of the RSS towards those podcast experiments launched just this year. Won’t you join us for the conversations? LISTEN + READ.
Radio without scaffolding
“Podcasting is built out of a referent, it’s constantly trying to justify its existence by other means, rather than simply being.”
—Garrett Tiedemann, The White Whale
Eight practitioners have been bending noises since the very birth of the RSS towards those podcast experiments launched just this year. Won’t you join us for the conversations? LISTEN + READ.
Uncoil
To uncoil connotes a traveling round and round. Loops converge and ravel one another. Adriene Lilly – Channel, Loop, Circle A woman talks about the physical manifestations of her anxiety and obsessive thought processes. It’s a brief meditation on
Uncoil
To uncoil connotes a traveling round and round. Loops converge and ravel one another. Adriene Lilly – Channel, Loop, Circle A woman talks about the physical manifestations of her anxiety and obsessive thought processes. It’s a brief meditation on
Erase
To erase implies a misstep or mistake, but perhaps it’s more about being seen, rubbed raw, smoothed over. Garrett Tiedemann – Under the Skin Erasure is violence. Ever, always, being justified: “The director said she made the changes so
Erase
To erase implies a misstep or mistake, but perhaps it’s more about being seen, rubbed raw, smoothed over. Garrett Tiedemann – Under the Skin Erasure is violence. Ever, always, being justified: “The director said she made the changes so
Cradle
To cradle signals there’s one who holds and another who is held, skin to skin. Jamie Flett + Jude (Judith) Williams – Let Me Hold [Skin To Skin] Underneath the ecstatic news of Peggy’s birth ran a murkier and
Cradle
To cradle signals there’s one who holds and another who is held, skin to skin. Jamie Flett + Jude (Judith) Williams – Let Me Hold [Skin To Skin] Underneath the ecstatic news of Peggy’s birth ran a murkier and
Skin rubbed smooth
What lies beneath, skin next to other skins, the outer interior of objects, excised stories. Stylus on wax, like a tattoo. Chisel and brush, pigment. An imagined layering of hides and rind and peel. Fifteen short works answer these many hollers in Earlid’s fourth annual Liminal Sounds. LISTEN
Skin rubbed smooth
What lies beneath, skin next to other skins, the outer interior of objects, excised stories. Stylus on wax, like a tattoo. Chisel and brush, pigment. An imagined layering of hides and rind and peel. Fifteen short works answer these many hollers in Earlid’s fourth annual Liminal Sounds. LISTEN
Interpelled: A Conversation with Victoria Estok
“As a sound artist and environmental worker, I believe sound and voice can interrupt, influence, and ultimately intervene at key moments in ways other intervention art strategies can’t.” READ the conversation.
Interpelled: A Conversation with Victoria Estok
“As a sound artist and environmental worker, I believe sound and voice can interrupt, influence, and ultimately intervene at key moments in ways other intervention art strategies can’t.” READ the conversation.
Radiation Day: In Conversation with Anna Friz
The northern Chilean desert summoned transmission artist Anna Friz into its prodigious sweep last summer. She traveled with mics, VLF receivers, contact mics and hydrophones—knowing that some of this gear as well as the interior cogs of our mobile gadgets—is comprised of the very trace elements being extracted from the desert beneath her feet. LISTEN in on the conversation.
Radiation Day: In Conversation with Anna Friz
The northern Chilean desert summoned transmission artist Anna Friz into its prodigious sweep last summer. She traveled with mics, VLF receivers, contact mics and hydrophones—knowing that some of this gear as well as the interior cogs of our mobile gadgets—is comprised of the very trace elements being extracted from the desert beneath her feet. LISTEN in on the conversation.