Author Archives: earlid_admin

Caroline Bergvall: “There’s a muscularity to the text.”

Interdisciplinary artistry allows for a transmission of voice and body and breath. And to the ears, it spirals into cadence. Breath. Voice. Throb. Pulse. Beat. LISTEN.

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Caroline Bergvall: “There’s a muscularity to the text.”

Interdisciplinary artistry allows for a transmission of voice and body and breath. And to the ears, it spirals into cadence. Breath. Voice. Throb. Pulse. Beat. LISTEN.

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Right-Ear Dominant

Third annual Liminal Sounds invites short works with a focus on the left side of the brain, speech, language and emotions leaking and leaning towards the right ear. Send your wordy, watery, audible gems by Friday, March 3, 2017. Keep it short, 2-4 minutes. MORE DETAILS.

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Right-Ear Dominant

Third annual Liminal Sounds invites short works with a focus on the left side of the brain, speech, language and emotions leaking and leaning towards the right ear. Send your wordy, watery, audible gems by Friday, March 3, 2017. Keep it short, 2-4 minutes. MORE DETAILS.

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And she was so …

Joan: I get all kinds of suggestions for what else to do with my sound-only work, which is kind of intriguing (like the sound isn’t enough somehow). For example, Plausible Narration, was originally to be accompanied (or rather the sounds

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And she was so …

Joan: I get all kinds of suggestions for what else to do with my sound-only work, which is kind of intriguing (like the sound isn’t enough somehow). For example, Plausible Narration, was originally to be accompanied (or rather the sounds

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And she lived happily ever after.

Joan: Despite not wanting to direct a reader too overtly, is there is an ideal method for reading The LiteraryMix? For example, do you feel there’s a better/worse platform such as smart phone vs. tablet, laptop vs. desktop? Are you

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And she lived happily ever after.

Joan: Despite not wanting to direct a reader too overtly, is there is an ideal method for reading The LiteraryMix? For example, do you feel there’s a better/worse platform such as smart phone vs. tablet, laptop vs. desktop? Are you

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And then she tried …

Joan: So we’re back where we started with the generative engine. Do you know Daniela Cascella’s book, F.M.R.L.: Footnotes, Mirages, Refrains and Leftovers of Writing Sound? Seth: I’m very familiar with Cascella’s book and have heard her perform readings of

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And then she tried …

Joan: So we’re back where we started with the generative engine. Do you know Daniela Cascella’s book, F.M.R.L.: Footnotes, Mirages, Refrains and Leftovers of Writing Sound? Seth: I’m very familiar with Cascella’s book and have heard her perform readings of

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But one day, she couldn’t seem to …

Joan: What are your thoughts on the text as body (body of work, muscularity of the text, sound-making as a physical experience, breath)? How might these themes connect to Bergvall’s work? Seth: Part of what intrigued me about your making

/ Comments Off on But one day, she couldn’t seem to …

But one day, she couldn’t seem to …

Joan: What are your thoughts on the text as body (body of work, muscularity of the text, sound-making as a physical experience, breath)? How might these themes connect to Bergvall’s work? Seth: Part of what intrigued me about your making

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In a very, very far away … there lived a little …

Joan: I’ve just gotten the newest ‘book’ by Anne Carson, appropriately called Float. Actually it’s a collection of 23 chapbooks whose order is unfixed. The back ‘cover’ of this acetate container suggests ‘reading can be free-fall.’ Similarly, in my sound

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In a very, very far away … there lived a little …

Joan: I’ve just gotten the newest ‘book’ by Anne Carson, appropriately called Float. Actually it’s a collection of 23 chapbooks whose order is unfixed. The back ‘cover’ of this acetate container suggests ‘reading can be free-fall.’ Similarly, in my sound

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Once upon a time …

The LiteraryMix isn’t Seth Guy’s first attempt at coalescing sonorous text into an ephemeral engine. In 2010, he launched Observing Silence, a blog he created to archive quoted instances of silence he’s stumbled upon in his fiction reading. OS is

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Once upon a time …

The LiteraryMix isn’t Seth Guy’s first attempt at coalescing sonorous text into an ephemeral engine. In 2010, he launched Observing Silence, a blog he created to archive quoted instances of silence he’s stumbled upon in his fiction reading. OS is

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(A) Generative Engine

Think of a page in a book. Are the words the ink or the paper containing the shape of this ink? And what of its sounds? Seth Guy’s The LiteraryMix, Joan Schuman’s Plausible Narration, and Caroline Bergvall’s Together. MORE

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(A) Generative Engine

Think of a page in a book. Are the words the ink or the paper containing the shape of this ink? And what of its sounds? Seth Guy’s The LiteraryMix, Joan Schuman’s Plausible Narration, and Caroline Bergvall’s Together. MORE

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Earworms + Radio Voices: In Conversation with Gregory Whitehead

The radio artist talks about his whispered libretto of a Guantánamo Bay torture interrogation log, the morphing of the Star-Spangled Banner and the sung interview of Dick Cheney. READ a conversation.

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Earworms + Radio Voices: In Conversation with Gregory Whitehead

The radio artist talks about his whispered libretto of a Guantánamo Bay torture interrogation log, the morphing of the Star-Spangled Banner and the sung interview of Dick Cheney. READ a conversation.

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